Re: "Judge rules artist Daniel Moore needs no University of Alabama license for paint
My recollection from years ago when this case began is that Moore paid royalties to other schools and paid them to UA until 2000 or so when this disupute arose.
Would I continue to honor a contract that I felt like I had a legal argument to void? I honestly don't know, I suppose it would depend on a lot of factors, i.e how strongly I felt about my legal position, whether the contract was particularly onerous, whether I could use this position to simply renegotiate a better deal, whether I felt any moral obligation to continue the arrangement, etc. I think if I were profiting from someone else's intellectual property I would feel at least a moral obligation to compensate them somehow. I certainly wouldn't claim to be a victim or hero for breaking that contract.
Where are all the people who were outraged over coach's breaking contracts? Is there a different standard for artists breaking contracts than for coaches?
Sure there is, the "T" on the side of UT's helmets is trademarked, the "AU" logo on the Auburn helmets is trademarked, etc. Aside from the Nike Swoosh (tm) there is nothing on the Alabama uniforms that can be trademarked. A white stripe is too common as are basic Arabic numbers.To my knowledge, and I invite corrections, there is no difference between Alabama's uniforms and other team's uniforms. Both contain trademarked "indicia." The ETW case that you refer to was released in 2003. Alabama and Moore's falling out started in 2000. Though your position begs the question: If you were paying someone money because you thought you had to but then you found out you didn't have to, would you keep paying them?
My recollection from years ago when this case began is that Moore paid royalties to other schools and paid them to UA until 2000 or so when this disupute arose.
Would I continue to honor a contract that I felt like I had a legal argument to void? I honestly don't know, I suppose it would depend on a lot of factors, i.e how strongly I felt about my legal position, whether the contract was particularly onerous, whether I could use this position to simply renegotiate a better deal, whether I felt any moral obligation to continue the arrangement, etc. I think if I were profiting from someone else's intellectual property I would feel at least a moral obligation to compensate them somehow. I certainly wouldn't claim to be a victim or hero for breaking that contract.
Where are all the people who were outraged over coach's breaking contracts? Is there a different standard for artists breaking contracts than for coaches?