Wow! this is part of James' Feel Like Making Live album (?) released last September. What a set!
Also, can be streamed on Amazon Music in "Ultra HD". I really need to get this!
Wow! this is part of James' Feel Like Making Live album (?) released last September. What a set!
Been stuck in my head all day….maybe one of you can take it over for awhile!
That was awesome Bazza!!! I wish I could do that…
Me too!That was awesome Bazza!!! I wish I could do that…
Here is POCO's version of the song Dallas from their album Head Over Heels, released in 1975. I'm a HUGE fan of Steely Dan, and also a HUGE fan of POCO.For my fellow "Dan enthusiasts"...couple early ones (pre Countdown to Ecstasy) that never made it to any albums.....before now.
And as you well know...Poco band member Timothy B. Schmit sang backing vocals on the Steely Dan albums Pretzel Logic, The Royal Scam and Aja.Here is POCO's version of the song Dallas from their album Head Over Heels, released in 1975. I'm a HUGE fan of Steely Dan, and also a HUGE fan of POCO.
Yes, Schmit is a fantastic vocalist and musician. I hit the shores of Japan in 1979, about a year after the release there of the album containing the two Steely Dan songs you posted. I own quite a few Japanese pressings of American artists' albums because they were typically of higher quality (even though on my meager G.I. salary they were dang expensive).And as you well know...Poco band member Timothy B. Schmit sang backing vocals on the Steely Dan albums Pretzel Logic, The Royal Scam and Aja.
Thanks for that story and for your service! Yeah, the Japanese are very tuned in with our pop culture, much like many other countries in the world are. Friend of mine had a comment once about the Australians who grew up watching "I Love Lucy"....for many Aussies, that was the lens through which their viewed us Yanks...lol...Yes, Schmit is a fantastic vocalist and musician. I hit the shores of Japan in 1979, about a year after the release there of the album containing the two Steely Dan songs you posted. I own quite a few Japanese pressings of American artists' albums because they were typically of higher quality (even though on my meager G.I. salary they were dang expensive).