What are you listening to (Music) V
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Little Feat from 20 years ago ..."Day Or Night". No, it isn't like the George / Barrere version. The Barrere/ Tackett combination is WAY above average. Drummers? Richie Hayward (drums) kicks AND swings this one......
If these folksplay near you.......Nashville studio cats playing serious funk....Here Come The Mummies...
This one is for my friend and one time college roommate summer of '75, Jim Carver (RIP), who always thought this was the better song on the album.........
Been an INXS fan since they hit the scene in the early 80's. Just an amazing band who wrote almost all of their music and had their very own sound.
In 1997 Australian rock band INXS visited Dutch television show "2 Meter Sessies" for a session.
00:00 Chat
00:35 Just A Man
05:44 Elegantly Wasted
10:08 Suicide Blonde
14:49 What You Need
19:00 Need You Tonight
===================== About 2 Meter Sessions ==================== Based in the Netherlands, 2 Meter Sessions is an independent, ongoing (new) music platform with a great legacy. Monthly we film 3 to 4 sessions with promising and breakthrough acts from all over the world. Many well-known acts have visited the show; from James Taylor, Elliott Smith and David Crosby to Damien Jurado, Ben Howard and Josh Ritter, via Radiohead, Nirvana, Coldplay and Foo Fighters. Archive footage can regularly be seen in (theatrical) documentary movies, like “Mystify: Michael Hutchence” (with footage of our session with INXS, filmed in 1997), “Heaven Adores You” (with footage of our session with Elliott Smith, filmed in 1998) and “All I Can Say” (with footage of our session with Blind Melon, filmed in 1993). The show started back in 1987 by radio presenter Jan Douwe Kroeske. On his popular national radio show he persuaded New-Zealand band Crowded House to play a couple of songs. The response of the public was so great, that 2 Meter Sessions quickly became a household name. In 1993, the show made a successful transition to national television. From there the show became a national phenomenon, for over 10 years, with filmed sessions of new talent, breakthrough acts and arrived career artists. Almost a million of 2 Meter Sessions cd’s were sold in the Netherlands.
In 1997 Australian rock band INXS visited Dutch television show "2 Meter Sessies" for a session.
00:00 Chat
00:35 Just A Man
05:44 Elegantly Wasted
10:08 Suicide Blonde
14:49 What You Need
19:00 Need You Tonight
===================== About 2 Meter Sessions ==================== Based in the Netherlands, 2 Meter Sessions is an independent, ongoing (new) music platform with a great legacy. Monthly we film 3 to 4 sessions with promising and breakthrough acts from all over the world. Many well-known acts have visited the show; from James Taylor, Elliott Smith and David Crosby to Damien Jurado, Ben Howard and Josh Ritter, via Radiohead, Nirvana, Coldplay and Foo Fighters. Archive footage can regularly be seen in (theatrical) documentary movies, like “Mystify: Michael Hutchence” (with footage of our session with INXS, filmed in 1997), “Heaven Adores You” (with footage of our session with Elliott Smith, filmed in 1998) and “All I Can Say” (with footage of our session with Blind Melon, filmed in 1993). The show started back in 1987 by radio presenter Jan Douwe Kroeske. On his popular national radio show he persuaded New-Zealand band Crowded House to play a couple of songs. The response of the public was so great, that 2 Meter Sessions quickly became a household name. In 1993, the show made a successful transition to national television. From there the show became a national phenomenon, for over 10 years, with filmed sessions of new talent, breakthrough acts and arrived career artists. Almost a million of 2 Meter Sessions cd’s were sold in the Netherlands.
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Dale Hawkins from St. Mary Parish, La. - The originator of Swamp Rock and Susie Q
When I was a kid in the mid- to late-70s, I would sit up on the weekend and watch "The Midnight Special." Had huge crush on Nancy Wilson.
“There are two kinds of men in this world. Those with a crush on Linda Ronstadt and those who never heard of her.” - Willie Nelson
(I hope Don Henley doesn't get mad that he's in this video!)
(I hope Don Henley doesn't get mad that he's in this video!)
Thank you @Slowpoke Catracho
Love the way Dale hangs that guitar around his neck.
The great James Burton playing the hot licks on the guitar.
He was a young'n at that point. Glad they inserted him into the shots.
Although uncredited, Burton supposedly wrote the music to Susie Q. At least, he says the guitar lick was his. He certainly played it like he owned it.
Dale wrote the lyric. 'Least that's the way I've heard it told.
Hour Glass
The Allman Joys eventually made their way west, sponsored in part by Nitty Gritty Dirt Band manager Bill McEuen. Reinventing themselves as Hour Glass, the band signed to Liberty Records and began making a name around L.A. by supporting such stars as Buffalo Springfield and The Doors. Two albums followed, 1967’s HOUR GLASS and 1968’s POWER OF LOVE, the latter highlighted by seven Gregg originals and liner notes by Neil Young, who also sat in on the album’s sessions. Hour Glass then traveled to Rick Hall’s FAME Studios in Muscle Shoals, AL, hoping to finally capture their evolving blues rock sound. Unfortunately Liberty Records did not appreciate the band’s new direction and Hour Glass split soon after the sessions.
The brothers returned to Florida where they began collaborating with The 31st of February, a Jacksonville trio whose ranks included drummer Butch Trucks. Gregg soon headed back to Los Angeles, recording a solo album to fulfill both his and Duane’s remaining Liberty contract. Though the sessions ultimately proved fruitless, Gregg spent considerable studio time writing songs and working with his new favorite instrument, the Hammond organ. Meanwhile, Brother Duane had returned to Muscle Shoals where he became FAME Studios’ lead session guitarist, recording legendary tracks with such giants as King Curtis, Arthur Conley, Clarence Carter, and Wilson Pickett. Soon signed to a deal of his own, Duane began enlisting musicians including drummer/percussionist Jai Johanny Johanson and fellow Floridian, bassist Berry Oakley. They returned to Jacksonville, their extended jams luring in additional members including Trucks and Oakley’s former bandmate, guitarist Dickey Betts.
Gregg finally returned to Florida and on March 26, 1969, Duane suggested he join the group for a run through Muddy Waters’ “Trouble No More,” encouraging his younger brother to “sing his guts out.” The Allman Brothers Band was born.
The Allman Joys eventually made their way west, sponsored in part by Nitty Gritty Dirt Band manager Bill McEuen. Reinventing themselves as Hour Glass, the band signed to Liberty Records and began making a name around L.A. by supporting such stars as Buffalo Springfield and The Doors. Two albums followed, 1967’s HOUR GLASS and 1968’s POWER OF LOVE, the latter highlighted by seven Gregg originals and liner notes by Neil Young, who also sat in on the album’s sessions. Hour Glass then traveled to Rick Hall’s FAME Studios in Muscle Shoals, AL, hoping to finally capture their evolving blues rock sound. Unfortunately Liberty Records did not appreciate the band’s new direction and Hour Glass split soon after the sessions.
The brothers returned to Florida where they began collaborating with The 31st of February, a Jacksonville trio whose ranks included drummer Butch Trucks. Gregg soon headed back to Los Angeles, recording a solo album to fulfill both his and Duane’s remaining Liberty contract. Though the sessions ultimately proved fruitless, Gregg spent considerable studio time writing songs and working with his new favorite instrument, the Hammond organ. Meanwhile, Brother Duane had returned to Muscle Shoals where he became FAME Studios’ lead session guitarist, recording legendary tracks with such giants as King Curtis, Arthur Conley, Clarence Carter, and Wilson Pickett. Soon signed to a deal of his own, Duane began enlisting musicians including drummer/percussionist Jai Johanny Johanson and fellow Floridian, bassist Berry Oakley. They returned to Jacksonville, their extended jams luring in additional members including Trucks and Oakley’s former bandmate, guitarist Dickey Betts.
Gregg finally returned to Florida and on March 26, 1969, Duane suggested he join the group for a run through Muddy Waters’ “Trouble No More,” encouraging his younger brother to “sing his guts out.” The Allman Brothers Band was born.
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